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Reelin’ in the Years – 1968

Of note – Wendy (formely Walter) Carlos released Switched-on Bach in 1968, groundbreaking in more ways than one. Pianist Glenn Gould said “Carlos’s realization of the Fourth Brandenburg Concerto is . . . the finest performance of any of the Brandenburgs – live, canned, or intuited – I’ve ever heard.” portlandpianolab.com – Image via Joe Haupt Flickr

It’s 1968 and I’m 6 years old.

This time around I checked the American and Canadian charts to decide on my fav pop radio song for ’68.

I don’t even know if it really is my fav song. But I thought I would highlight The Beatles’ “Hello Goodbye” as a fantastic example of a finely crafted pop tune. Also, time to stop ignoring The Beatles, arguably the best pop-rock band to appear in musical history.

There are several great songs this year. “Hello Goodbye” was listed on the Canadian but not the US Billboard charts for ’68. I’m not sure if that’s a release date or national preference discrepancy.

I remember hearing it as a kid in my brother’s room. He had a pretty good stereo for those days. And it really jumped out of the old speakers. If was fresh. Different. And the lyrics caught my young mind.

Paradox?

Someone liking someone who dislikes them? And the main character in the song is confused about it?

Magical Mystery Tour

Magical Mystery Tour (Photo credit: Wikipedia)

All pretty new for a six year old. So that one really stuck.

As an adult, of course, I totally get it. But back then… intriguing.

I think the video (below) is a bit weak. The Sgt. Pepper’s imagery was already stale when Magical Mystery Tour came out. But the song itself sparkles.

Paul McCartney was widely recognized as a great bassist from the late ’60s to the mid-’70s, and rightly so. Just listen to that bassline. So innovative, yet it always finds its way back to the root. And Ringo’s drumming. Well, I think Ringo is a fabulously creative drummer. Some say he was terrible and couldn’t drum his way out of a wet paper bag. Others feel like I do. Ringo = Brilliant.

Ringo grew up not being able to afford a real drum kit so practiced on anything he could get his hands on. It shows. In a great way. His rolls are so Ringo. Nobody else could come up with the stuff he produced. A standard rock drummer wouldn’t have cut it with the Beatles. Everything had to be different, unconventional. Including the drums.

And just when you think “Hello Goodbye” is over, we find a false ending. What starts up after isn’t just more of the same but a whole new singalong jingle.

I don’t think that was too common for 1968.

So for its sheer originality and expert craftsmanship, this is the tune for ’68.

Magical Mystery Tour actually has several outstanding songs. Songs I probably like better as an adult. But in ’68 they were more for FM than AM. And as a 6 year old, I just wasn’t there yet.

Reelin’ in ALL the Years

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 Upcycling Your Musical Instruments (builddirect.com)

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Reelin’ in the Years – 1967

Front cover of Sgt. Pepper's Lonely Hearts Clu...

Front cover of Sgt. Pepper’s Lonely Hearts Club Band, “probably the most famous album cover in popular musical history”Ashplant Smyth 2001, p. 185. (Photo credit: Wikipedia)

It’s 1967 and I’m five years old.

I definitely remember hearing Sgt. Pepper’s on vinyl. The song that first caught my imagination was “Lucy in the Sky.” That guitar riff at the beginning has been copied and morphed by so many other bands.

They probably changed it just enough to avoid a lawsuit. I learned how to play that riff as a boy. Not so hard. But getting something simple that unique, well, that’s the challenge of pop, isn’t it?

I don’t mean to pass over The Beatles. It’s the Summer of Love in ’67 and their groundbreaking Sgt. Pepper’s blew away most other bands. Actually all other bands. And most everyone admitted it (maybe not Quincy Jones).

A rose is a rose is a rose. And genius is genius is genius. And at that moment, The Beatles with George Martin were genius. No doubt about it.

English: Quincy Jones attending an after-party...

Quincy Jones attending an after-party of a tribute to his work at Life Restaurant, Los Angeles, CA on October 1, 2008 – Photo by Glenn Francis of http://www.PacificProDigital.com (Photo credit: Wikipedia)

To think they did all that on a four-track recorder! Anyone who knows studio tech will understand how amazing that is.

I really should list “A Day in the Life” as my favorite song. But that was me in the basement, looking over and trying to play some sheet music on our old piano. Right now I want to focus more on stuff that really made AM radio what it was.

From 1966 you can see that AM radios were all rage back then. Most cars, except for the odd luxury vehicle, were standard equipped with a thin, overly compressed sounding AM radio. Basically music in a tin can.

That was it. So pop songs had to sound good on AM radios. And they had to go a full cycle (verse, chorus, bridge, etc.) in about 2 and a half minutes to fit the AM radio format.

If they went much over two minutes, the DJ would just start talking and fade into the next song or go to a commercial. So really, no long sagas like “A Day in the Life” would work on AM. That was for FM, which would find its full voice in the 70s. (get out the tape deck!)

Image – Wikipedia

One tune that did sound good on AM was the Rolling Stone’s “Ruby Tuesday.” I remember hearing this on vinyl – we had lots of vinyl kicking around – and sensing it was somehow different.

“Ruby Tuesday” proved that the Stones could do mature work. I think it’s a great song with fabulous instrumentation. That recorder, or whatever it is, adds an almost medieval, courtly flair that only the Brits could pull off.

Fantastic lyrics. Fantastic song. Enjoy.

Reelin’ in ALL the Years


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Reelin’ in the Years – 1966

The Monkees, 1966 via Wikipedia

Boy oh boy. There are so many good tunes for the Billboard Year-End Hot 100 singles of 1966 that I really had to scratch my head over choosing just one. I am now 4 years old and remembering more songs as I grow older.

We had the Monkees 33.3 record with “Last Train to Clarksville.” My last name is Clark so as a kid that got my attention.

Even as a child, though, I sensed that the Monkees weren’t really the best of bands. A made-for-TV copy of the Beatles. We had oodles of Beatles 33s and 45s kicking around. So I had a good basis for comparison.

The Monkees were catchy. But they weren’t the Beatles.

Most cars in the mid-60s only had an AM radio. 8-track, FM and cassette were soon to follow. In Canada, the speedometer still used MPH. We took a turn to KM (and Celcius) in the 70s. I remember reading in the paper that metric was more “international.” – Image via Wikipedia

Later in life I came to appreciate and really adore Frank Sinatra. But in ’66 he was more of a middle-aged act than a young person’s thing. Frank was going out of style. “Strangers in the Night” did chart and won a Grammy for Record of the Year. But it didn’t fly with the teeny-bop crowd. Rock and Roll was “here to stay” as Neil Young would sing.

Mind you, that swanky era wasn’t totally gone. My parents’ generation still bought records like that. Funnily enough, I don’t remember seeing any Sinatra records in my parents’ collection. My love for Frank just came naturally later in life as I enjoy most types of music, especially the greats.

Sinatra, pictured here with Eleanor Roosevelt ...

Sinatra, pictured here with Eleanor Roosevelt in 1960, was an ardent supporter of the Democratic Party until 1968. – Image via Wikipedia

For the 1966 best song, however, I chose The Mamas & The Papas’ “Monday Monday” because, like “Downtown” (1965), it was one of those songs that stayed with you, even when you weren’t near the radio.

Notice the pre-hippy fashion in this video. Elvish colors and collars. Pinstripe pants. Hair getting a bit longer and shaggier. The Beatles’ Sgt. Pepper’s, The Moody Blues’ Days of Future Passed , Traffic’s Mr. Fantasy and Jefferson Airplane’s Surrealistic Pillow were just around the corner. And that, my friends, was a whole new ballgame.

To me, the opening vocals in this tune are like a tulip coming out in April. Something so new, so fresh, so positive. Even though the song is about a sad Monday, it’s still upbeat, uplifting.

That’s flower power, man!

You can just see Sinatra and his fellow crooners burying their heads in their hands, heading for Vegas where they can still squeeze out a few bucks for booze, cigarettes and who knows what else.

Reelin’ in ALL the Years

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