Michaelwclark.com

Just my stuff


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Plastic Bags – Fix Mix

Duh… I mixed the first one with my computer EQ boosted around the voice level (to hear an old movie). This morning I realized the error, which made “plastic bags” a bit quieter than intended. Here’s a quick fix.

I’ll leave the first one because sometimes my fixes turn out not as good as the originals. It usually takes a bit of time to find out which is best.

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She’s Got Dragons

Who me? Game of Thrones freak? Naah. That’s only part of the story.

I did like Khaleesi and thought that Jason Momoa nailed the ancient conqueror role. But they are only depicting things that, more or less, really happened. Alexander the Great. Cyrus the Great. Cleopatra.

Dragons may be fiction but we have a pretty heavy inheritance we have to face.


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Beyond the Night

Here’s a cinematic, atmospheric one that I worked pretty hard on. It began as a slightly chaotic assemblage which slowly came together. My main learning point was how to use a sequencer for drum samples, making it sound less robotic than sequencers can sound.

The sequencer I used (Megababy) allows for manual timing changes (called “humanization” or possibly “swing” when using midi). So I spent some time on each note, trying to imagine myself as a percussionist and how he or she might actually drum. To me, the kick drum sometimes sounds like it could use a bit of editing, other times it sounds okay.

Not exactly tearing up the SoundCloud charts, it was, as I say, a great learning experience.

As to what this composition is about, just follow the link to SoundCloud if interested.


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Shape Dance – A very 90s “Popcorn”

A few years ago I picked up a dollar store CD called Shape Rave, volume 4 (Pikosso records, Berlin 1996). I just got around to listening to it tonight and discovered a nice remix of an old radio hit from my childhood, “Popcorn.”

The pan flute sound is a bit passé (technology has given us a much broader palette today). But as a novice bedroom producer, I can really appreciate the programming, the texture of the underlying sequenced sounds, and the fantastic swing. “Swing” is a feature used in sequencers where the 2nd, 3rd and 4th beats are delayed a bit behind the first beat. It makes it sound less robotic and when done right, gives it, well, swing… 🙂

I like the old-style graphics that the uploader put with the tune. I think it’s the same remix that is on my CD (there are several remixes). Back when the first “Popcorn” came out, that tape deck would have been really high tech.


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Ursa Major, Ursa Minor (Sketch)

A quick sketch of a melody/tune that came to me after seeing the big and little dippers in the dark countryside, by Lake Ontario… I may evolve it some day.. The two musical phrases are seven notes each, just as there are seven stars in each of the constellations…

While looking at the stars I noticed that the big dipper is, of course, bigger but the little dipper is brighter.

I love looking at a clear night sky devoid of light pollution. Finding a place without light pollution (sadly) seems almost impossible these days. But this location was pretty good. Just one small spot emanating from Cobourg Ontario, a town that used to be a hot spot for wealthy Americans back in the day.

Living in Toronto one can see 2 or 3 stars on a good night! Well, maybe a few more. But it is pretty appalling. So whenever I get a chance, which isn’t too often, I take to the country and reconnect with the ancient art of the night sky.

Image – http://www.pinterest.com/pin/445152744395241383/


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Beatniks

The original title for this was “Echoes from the Cave.” That’s an idea – I guess a bit of a cliché – that I’ve wanted to use for a short story, novel, or maybe a song.

Well, time has passed and that seems a bit passé.. at least for me. So I decided to call this “Beatniks,” mostly because of the jangley, slightly futuristic beats behind the voices. And I’m listening to a lot of primitive, beatnik jazz these days.

“Beatniks” is dedicated to Prince, who passed on around the time I began this.


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Sheer Distraction

The story behind this tune is that I was desperately ill through the winter months. It took a long time to recover. When I finally felt things were turning around, I sat by my computer and came up with a basic bassline. I sent that to Lee Neale who sent back this amazing melody with lyrics. It blows me away how talented Lee is.

Because his work is of such high caliber, it really pushed me to do my best. I wanted a minimalist sound that wouldn’t overtake Lee’s vocal track. But I didn’t want it too simple.

I hope you enjoy!