Just my stuff

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Proteus – film about Ernst Haeckel (2004)

This is a worthwhile film about the 19th-century luminary Ernst Haeckel. I just watched it on DVD. The special features indicate that it took 22 years to make! The filmmaker creates elaborate animations of Haeckel’s scientific artwork using old-school editing techniques, because he was first inspired to make the film before PCs went mainstream. Amazing.

The depth psychiatrist C. G. Jung is not mentioned, but Jungians and other seekers interested in alchemy as an inner-outer process should be pleasantly surprised. I give this film 5 out of 5 for sheer dedication. It was nice to see the old-style animation. Brought back memories. I grew up with that stuff. Storyline was mature and interesting as well. Nice blend of art, science and history.

My advice — For those keen on this kind of thing, buy the DVD or grab it from the library. The special features are every bit as interesting as the film. At least, they were for me. 🙂 Here’s what Scientific American had to say.


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Image via Tumblr

There’s this rule in art and photography that the eye likes to see pictures broken up into thirds. Well, maybe not broken up but, properly said, proportioned in thirds. I don’t always follow it because rules are made to be broken. But this photo is a good example of the law of thirds. In this case, it’s horizontally applied. But it also can be vertically or holistically applied.

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Review – Beyond the Barbed Wire: An Artist’s View of The Holocaust (DVD)

Reality Films

This review also appears at Earthpages.org

When I first saw the title of Matt Webber’s film – Beyond the Barbed Wire: An Artist’s View of The Holocaust – I was a bit apprehensive. The holocaust is never an easy topic to deal with. And I’ve been under the weather with a cold, so my defenses are a bit lower than usual.

Yesterday I tried to watch Beyond the Barbed Wire but just the thought of going there was too much. So I chose to sleep off my cold as much as possible.

Feeling stronger today, however, I watched the film. And right from the start I realized that this was not some distorted or opportunistic movie about the holocaust.

I say “distorted” because some have written tracts that at first appear reasonable and then slide into dreadful harangues in which the Jewish people are blamed, subtly or overtly, for the Nazi atrocities of WW-II.

And by “opportunistic” I mean those depictions of the holocaust that seem more about promoting some person or maybe their latest book.

Again, after the first few minutes I quickly gained trust that Beyond the Barbed Wire was neither a distorted nor opportunistic rendering of the holocaust.

Instead, I found a sensitive and compelling film that tells the story of the Polish tailor, artist and holocaust survivor, Ben Altman.

Altman gives a first hand account that, although unavoidably upsetting and distressing, maintains a mature focus and perspective that makes it possible to listen without switching off or tuning out.

The narrative is augmented by several experts, to include a physicist, an art professor, and an art therapist.

Much discussion is given to the power of symbols, both good and bad. In so doing, names like C. G. Jung, Friedrich Nietzsche and Michel Foucault come up.

The Swiss psychiatrist Jung spoke at length about the positive and negative power of symbols, and connected the Nazis with an eruption of the Germanic Wotan archetype. The philosopher Nietzsche developed a concept of an “Overman” who joyously exerts his “will to power,” an idea that many argue was misappropriated by a deranged Adolf Hitler. And the French postmodern thinker Foucault forwarded a notion of “discourses of power” that remains influential in philosophy, political science and sociology.

The film includes a thought-provoking discussion on some differences between thinking and emotion as they relate to the body, and touches on the mystical doctrines associated with Kabbalah and Alchemy.

In addition, we learn about Hitler’s infamous “Degenerate Art” exhibit, which ironically was far more popular than the state approved arts exposition, showing just across the street.

And perhaps most important, Beyond the Barbed Wire underscores the idea that no matter how dreadful the circumstances may be, human beings are always free to choose their attitude.

Clear evidence of this inherent existential freedom is given in accounts of altruistic self-sacrifice among prisoners in the Nazi prison camps, and also through surviving artworks that some individuals were able to create while suffering confinement.

These artists, as the film suggests, were for a brief moment able to find some kind of creative value in the darkest of living nightmares. In effect, they reached beyond themselves and their disturbed tormentors through the act of creation.

Rather than succumbing to the disillusionment that evil tries to instill, Beyond the Barbed Wire attests to the fact that heroic self-mastery lives beyond even the worst machine-like madness that some people are capable of.



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No… I didn’t abscond…

I haven’t been posting here for a few days, partly because things have been hopping at earthpages.org | earthpages.ca and there’s only one of me. Also, I’ve been working on a new blog that uses that funky new template for photographs. I haven’t added too many photos yet but plan to in the future.

Check it out…

Just my pics.”

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Women in Art

I really enjoyed this, even if some of the images morph a bit quicker than I would have liked.

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Is that a Mexican poncho or is that a Sears poncho?

Frank Zappa on Crossfire

Here he is, some 22 years later, still as vibrant and ripping as always. When I was watching this I felt like screaming out… REPRESENTATION REPRESENTATION… the word you’re looking for is REPRESENTATION… and it is not necessarily the same thing as ADVOCACY.

Still, I admire the way Zappa for the most part keeps his cool.

Even more interesting is how the American moral agenda has changed so much in just 22 years.

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Norval Morrisseau dies at age 75