Alpha Omega


When David Bowie’s last lp Blackstar came out, I remember thinking that I’d get around to listening to it. After a couple of days I thought, Oh, I really should give it a listen. After all, Bowie has been one of my favs since my childhood and early teens. His music resonated through many of my changes.

As a kid I drummed to Pinups. As a teen I grooved to ChangesOneBowie, Ziggy StardustStationToStation and Scary Monsters. And a young man I explored everything else he had to offer, from Low to Another Face. And even though I felt Blackstar would be a dark and jagged lp, I knew I’d have to hear it. It’s just like that with Bowie. Even if you didn’t slice with some of his material – I wasn’t wild about most of The Next Day – you still had to see what the ol’ Jean Genie was up to.

The Collection (David Bowie album)
The Collection (via Wikipedia)

So all this was going through my head when I began working on this tune. After a quick listen to Blackstar, I went downstairs and learned of the sad news that was breaking across the TV screen.

David Bowie has died at age 69.

Returning to Alpha Omega, I gave it an extra dirty mix. Rough, distorted guitars. Not much light. All very heavy. I never knew nor met Bowie. But I was hurting.

After some time I started feeling better and lightened up the mix. I considered dropping the fuzz guitar but decided it had to stay. If this was turning into some kind of nod to Bowie, it definitely needed fuzz guitar.

Anyhow, ’nuff said. Here’s what I wrote at SoundCloud:

This is dedicated to David Bowie. Some call him the Picasso of pop. But I prefer to think of him as the Sibelius of pop. He’s both, actually. And a whole lot more.

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